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The Leadership

(Ili Baré, Australia, 2020)


 


As someone who once briefly had an unlikely but well-paid moonlighting job speaking to after-dinner groups at leadership seminars – where, as a rule, I liked to screen violent clips from gangster movies – I was naturally drawn to comparing my own style of delivery with that of Fabian Dattner (who likes to bill herself as “CEO and Dreamer”) in Ili Baré’s The Leadership.

 

This is a documentary following the 21 days of a ship voyage to Antarctica, where a large group of female scientists are encouraged to … well, “find themselves”, under the guidance of Dattner and her “faculty”. The collective goal is to pursue, win and maintain leadership positions in their diverse STEMM (science, technology, engineering, mathematics and medicine) fields.

 

The cause is a noble one – but Dattner’s strenuous methods, based on both breaking down and building up the individual ego of every participant, seem more than a little misplaced.

 

At the outset – with its stirring, soaring music (by Kristin Rule) and yet more drone photography (the greatest cliché of contemporary documentary) for vista-effects – The Leadership comes on like a relentlessly positive, New Age advertisement (or recruitment campaign) for Dattner’s Homeward Bound enterprise. I will confess that my eyeballs were in constant roll-motion throughout its first half.

 

But stick with it, because action at last starts happening, and things start cracking apart. Several attendees confront Dattner with their doubts and questions (like: how inclusive is this all-white gathering?), and (as we learn) a subsequent investigation by Grist magazine uncovered disturbing allegations of incidents of sexual harassment and abuse involving male members of the ship’s crew. (Baré’s camera crew, it must be said, either looked away from, or was prohibited from filming, the nightly on-board socialising that led to those events.)

 

It’s not half as morbidly satisfying as seeing Frederick Wiseman’s camera roll on implacably as the secluded monks psychologically go to pieces in Essene (1972), but it grips all the same. And after all of that, in its world-wide coda, The Leadership tries to salvage a positive message. See if you agree with it.

© Adrian Martin August 2020


Film Critic: Adrian Martin
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