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The Tommyknockers
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I
generally find film adaptations of Stephen King's horror stories to be dreary
and moralistic. But the telemovie The
Tommyknockers is the most engaging attempt since John Carpenter's Christine (1983).
Directed by John Power, it is a cautionary tale that mixes an Invasion of the Body Snatchers-style conspiracy with a creepy, small town community straight out of Twin Peaks.
As
often with King, the sexual politics of the story leave a lot to be desired.
Jimmy Smits, playing what the video jacket describes as "an alcoholic
poet", is one of the privileged guys of the town who escapes being
brainwashed by the sinister tommyknockers buried deep in the woods.
The
women are not so lucky – once zapped by the mysterious green light, they
gleefully get high and begin inventing gadgets, sprouting visionary prophecies,
and pulling out their own teeth.
While
there are a requisite number of hip pop culture references in the script by
Lawrence D. Cohen (Carrie) – to Elvis, The Twilight Zone and the past screen
career of the amazing Traci Lords – it is in fact the telemovie blandness of
the piece which secures its chilling effect.
And
the ending, which takes that alcoholic poet to a spectacular apotheosis, is
just terrific.
MORE King: The Dark Half, Thinner ©
Adrian Martin September 1993
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