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The Labyrinth

(El Laberinto, Laura Huertas Millán, France/Colombia, 2018)


 


An inspired melding of fact and fiction: the notorious Colombian drug trafficker Evaristo Porras, at the height of his criminal ecstasy in the 1980s, built himself a mansion modelled on the one seen in the American TV soap opera Dynasty.

Today it is a paltry ruin, merging into the surrounding forest – so Laura Huertas Millán, expert in “ethnographic fiction”, intercuts it with Dynasty footage.

There is a further element in this intoxicating, 21-minute mix: a shadowy witness-survivor-narrator, Cristóbal Gómez Abel, telling the historic, Scarface-like tale of the Medellín cartel, relating his own nightmarish hallucinations.

Like the cocaine, mansions and gangsters, this testimony, too, will fade away.

© Adrian Martin September 2018


Film Critic: Adrian Martin
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