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Downtown
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The Beach Boys must be a little depressed at the way movies keep using their music as the epitome of white wimpiness – usually in contrast to black rap and funk music. In this listless variation on the never-ending mismatched-cops formula, Anthony Edwards is the Beach Boys fan moved downtown and handed Forest Whitaker as a partner – the loose gun in an all-black police station. As you might expect, the wimp starts to toughen up, while the rebel becomes a sensitive, sharing, family man. The film uneasily walks a thin line with its broad gags about domestic violence and unemployment in a decaying black community. MORE Benjamin: Made in America, Milk Money © Adrian Martin November 1992 |